Tallia Storm goes braless in a stylish green suit at outdoor screening of Wonder Woman 1984

She never fails to put on a show-stopping display.

And Tallia Storm looked sensational as she attended an outdoor screening of film Wonder Woman 1984 at the Honourable Artillery Company in London on Thursday.

The Scottish singer, 22, ensured all eyes were on her as she flaunted her cleavage and went braless under a striking emerald green suit. 

Tallia exuded confidence as she hit the red carpet and worked all her angles for the camera ahead of the screening.

She flaunted her ample cleavage in the plunging blazer, which also boasted stylish shoulder pads and pockets on each side.

Not forgetting her accessories, Tallia toted a small black handbag and added a little extra height to her sizzling frame with a pair of heels.

The blonde beauty wore her long tresses down, letting them cascade over one shoulder, and completed her look with a touch of pink lipstick. 

Tallia was also seen getting a picture with young actress Lilly Aspell who played a young Diana, who is also Gal Gadot’s character, in the Wonder Woman films.

The Scottish-born actress, 13, cut a casual figure in white trousers and a black top, which she paired with a fitting Wonder Woman jacket.

Joining Tallia at the al fresco event was Naomi Isted, who looked stylish in a white shirt dress paired with knee-high suede boots. 

The TV presenter, 42, completed her screening look with a grey Chanel handbag and wore her long blonde locks down, letting them cascade over her shoulders.

While New Dragons’ Den star Steven Bartlett, 28, also appeared to be in good spirits as he arrived in a casual cream tracksuit.

The millionaire founder of the social media marketing agency, Social Chain, ensured to work all his angles on the red carpet, beaming a smile for the camera.

Steven cut a relaxed figure on the night and added a designer touch to his look by slinging a Louis Vuitton bag across his torso.   

Wonder Woman 1984 was released late last year after being delayed numerous times due to the coronavirus pandemic.

And it was reported in January that the movie managed to bring in $5.5million over the New Year’s holiday, despite only appearing in 2,151 locations across the US. 

The sequel also ensnared another $10.1 million from overseas markets, bringing its global total to $118.5 million. 

While that’s not a disastrous figure given how much coronavirus has upended the movie business, it did represent a steep 67% drop domestically and is a far cry from the grosses of pre-pandemic blockbusters.

The superhero sequel, which also faced some social media backlash for not rising to the level of its beloved predecessor, was simultaneously released on HBO Max in a bid to bolster the WarnerMedia streaming service and as a concession to a global health crisis that’s left the theatrical distribution landscape severely diminished.  

The company had issued some vague numbers touting Wonder Woman 1984’s popularity on HBO Max, but little in the way of hard data. 

It also announced that Gal Gadot and director Patty Jenkins will reunite for a third film in the franchise, a sign that it believes the Amazonian warrior is a vital part of its plans for growing its DC cinematic universe. 

Wonder Woman 1984 is the highest-grossing theatrical release of the pandemic. 

While it’s a drop in the ocean compared to the more than $100 million opening generated by the original 2017 Wonder Woman film, it’s still judged a success by Warner Bros. given that only 35 percent of cinemas in the U.S. are open. 

According to Variety, the bulk of ticket sales in the U.S. came from private watch parties, with customers renting out screening rooms at cinema chains for around $100 a time.   

The sequel, which cost about $200 million to make, had been expected to approach $1 billion in box office receipts before the pandemic. It is on track to make about $180 million, the outlet reported ahead of the New Year’s weekend reports.